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The prose poem (3) poem "open"


The following poem, taken from songs the Balandran (1977) by Rene Char, illustrates the other trend:
The soil is not only collects to split operations in the rain and wind. Which is precipitated near-silent, stands near the earthquake, with our pre-dry words mean, penetrating as the trident of the night in the iris of the eye.

If the unity of the text is based on an analog process that puts in parallel the natural manifestations and shock of poetic creation. The poem can be read as an opening. In the style of haiku, it opens a gap in the real and raises the question.

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The prose poem (2) a hyper-structured

It was night. First it was - and I saw, so I said, - to an abbey walls cracked by the moon - a forest pierced by winding paths - and the Morimont (*) teeming with capes and hats.

It was then - and I heard, so I said - the knell of a bell which was answered by sobs funeral of a cell, - the cries and laughter shivered ferocious each flower along an arcade - and the prayers of buzzing black penitents that accompany a criminal to execution.

It was finally - and ended the dream, so I said, - A monk who expired lying in the ashes of the dying - a girl who struggled hanging from the branches of an oak - and I tied the hangman disheveled on the spokes of the wheel.

Dom Augustine, the prior deceased, will, dressed as Franciscan, the honors of the chapel, and Margaret, that her lover was killed will be buried in his white robe of innocence, between four wax candles.

But I had the helm of the executioner, at first, like a broken glass, torches were extinguished black penitents under torrents of rain, the crowd had passed with streams overflowing and fast - and I pursued other dreams to waking.

Aloysius Bertrand, "A Dream" Gaspard de la nuit .

Bertrand's poem is divided into stanzas, which are all units of meaning. The first three stanzas have the same theme: the sets are discussed through a special meaning in verses 1 and 2 (vision and hearing). The third stanza focuses on the theme of agony, three deaths occur simultaneously in the scene sketched above.
The verse follows another structuring principle: anaphora: "it was", "so I ... I ... well."
Stanzas 3 and 4, meanwhile, resumed by untying the themes outlined at the beginning of the poem. They are distinguished by the change in the utterance (passage of time from past to future) that guide the story towards its climax.

The organization of the poem relies on an opposition between simultaneity (verses 1 to 3) and chronology (stanzas 4 and 5) but also between indeterminacy and uniqueness: for this movement, the text allows progressive identification of the characters in the scene and their future.

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The poem prose poem (1)

I. Definition
Until the nineteenth century the idea that a poem could be written in prose would have seemed an absurdity, as the very idea of poetry was linked to the factory of worms. Though it is the prose poem exists and the question of poetry and its specificity. Some criteria are needed immediately to define the prose poem is presented as a short text and self, by its polysemy or intense recreational use and aesthetic it makes language.

II. Brevity, self
The first collections of poems in prose in fact represent a succession of short texts closed on themselves. The prose of Gaspard de la nuit by Aloysius Bertrand (1852) are easily recognized in that they fit on one page and is structured into short paragraphs that suggest as many units.

The Spleen de Paris Baudelaire (poems written between 1855 and 1864) already poses more problems, some texts reach the dimensions of a new approach and it also by their subject (" The generous player, "for example). In the letter to Arsene Houssaye where Baudelaire defines what he wanted to do, he writes: "Chop it into many pieces and you will see that each can exist separately." Evidence that the law is autonomous. Suzanne Bernard
distinguish two major trends in the development of the prose poem. Let the poem is structured hyper, hyper worked, or it is composed in a somewhat unpredictable freely.

It quickly compare two texts, revealing two modes of existence: