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Summary of an essay by Jan Kott

The summary should focus on restatements, highlight summarize the key ideas of the text: here is a summary of the possible text Jan Kott (lines 1 to 20)

King Lear evokes a world deliquescent. If the piece resembles the medieval chronicles or other Shakespearean drama, it does, unlike the latter, no prospect of restoring some order.

The twelve main characters are distributed all Manichean nevertheless be destroyed, good or bad and this process takes place on two fronts one political, the other ontological and metaphysical.

according to Jan Kott, Shakespeare our contemporary , Payot, "PBP", 2006.

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SOLITUDE

"it's time for me to seek healing and peace that only solitude can bring"

Elizabeth Gilbert Eat, pray, love

Love is like a melody, no music without silence ...

And more often than it is in the silence of our heart that will prepare our finest pieces.

When the heart has suffered for love, silence and solitude are all hugs a crowd of friends and sounds around you to cuddle.

Loneliness is friends with those who prepare their lives to match their desires to indulge in creating their lives.

As an artist who retreats to his studio to give birth to his work, also needs the love of his retirement time to prepare your heart and co-create life with the universe.

Isolation becomes a creative phase of breath, a pause that bounces off a new world in the image of his inner world filled with inner peace restored.

If you are on your way to this person that you are looking for ... take the time to stop and enjoy the solitude.

The patient lives well 9 months to show his face ... why love would do differently?

Life always springs when the child is ready when the fruit is ripe, when the music is a song of harmony.

Do not hurry, love always comes at the right time to those who wait patiently for the healing of his heart and inner peace.

© Karine Barki

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Frog and Kangaroo



Super story with a beginning removed (by internal focus, please!). Recall invited the subject to imagine a story to illustrate the "No use running, you must leave on" La Fontaine. It is easily understood that the author has somewhat changed, this moral . We also appreciate the reference to the crow (which has an air of deja vu, right? - This is called intertextuality).

- Leaping, leaping: he has that word in his mouth! Said the frog
exasperated.
She decides to launch a challenge to the kangaroo:
- And you, the star of the long jump,
Are you able to join this pool before me?
He is ready to meet this challenge
And quick to draw the starting line.
Master Crow perched on a tree, then gives the start.
's go! The kangaroo distance already Frog
When he sees a hazelnut.
He filled his pockets with nuts, her guilty pleasure.
frog, taking advantage of this ruling, continues to grow.
The kangaroo tries to leave but it is too heavy.
He empties his pocket and then jumping off again.
Frog about it already about to join his lily pad.
Once there, she unfolded a banner that Master Raven throws him to the flight:
"There is no jump, you must leave on time! "

B. Malo, January 2011

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The Coquette and the Bee

Chloe, a young, pretty, and mostly very pretty,
Every morning, rising,
set to work, I mean at her toilet;
And there, smiling, smirking,
She said to her dear confidant (1)
Sentences, pleasures, plans for its

[soul.

A bee dizzy comes buzzing.
"Help, help! Soon the cries

[lady

Come, Lise, Marton, come

[promptly;

Chase this winged monster." For the monster insolently
lips Chloe arises.
Chloe fainted, and Marton
Enters into a rage and the bee has
the crash. "Alas said gently
The unfortunate insect, forgive my mistake;
Chloe's mouth seemed to me a rose,
And I believed him ..." that one word makes its way to Chloe.
"Let us through," she said, her sincere confession:
besides its sting is mild ;
since she called you, I hardly feel it. "
What does one pass with a little incense (2).

Florian Fables, 1792.

1. personification of the mirror in the precious language, the mirror is called the "confidant of grace".
2. With flattery (the verb praise can also mean "flatter".

Ill. Etching by Adam Victor

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Poetry Romanticism in the nineteenth

1 / Romanticism

The Romantic poets gather around Victor Hugo who is the leader of the movement.
They are thrilled by the lyrical poetry of Lamartine they are modeled. They consist of melancholy poems that exploit the theme of evil dusiècle They introduce new themes: the exoticism and dreams.

Romantics offer little innovation in form, Victor Hugo asserts the triètre, an Alexandrian three accents.

Lamartine	Meditations poetic	1820
Vigny	Poems Ancient and Modern	1826
Hugo	The Oriental Rays and shadows	1829 1840
Nerval	little ode The Chimera	1834 1854
Musset	New Poems	1850

2 / Parnassus

The Parnassiens reject the excesses of lyricism and poetry advocate impersonal. They look perfect forms, evoke distant landscapes or historical scenes.

Gautier	Enamels and cams.	1852
Leconte de Lisle	Ancient Poetry Poetry Barbarian	1852 1862
Heredia	Trophies	1893

3 / Symbolism

The Symbolists, inspired by Baudelaire seeking correspondence between the earthly world and the spiritual world . They refuse the realism and the taste of Parnassians for formal poetry.

The landscape expresses their moods and the Symbolists emphasize musicality.

The symbolist poet Mallarme is ( Poems, 1899), Rimbaud, Verlaine and Tristan Corbiere approach the movement without joining.

Verlaine	Saturnian Poems Festivals gallant Songs without words	1866 1869 1874
Rimbaud	A Season in Hell "Vowels," "Evening Prayer," "Touchstone," The Frightened, "" The Seekers of Lice, "" The Drunken Boat "will be published in The Poets cursed Velaine	1873 1884
Corbiere	Loves Yellow	1873

The Symbolists (Verhaeren in particular) use free verse.

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dictated by the (recently donated two subjects) Write an opening

Shy and forced to my father, I found the ease and contentment than from my sister Amelie. A soft line mood and tastes bound me closely to that sister, she was a little older than me. We loved to climb the hills together, sailing on the lake, the woods to go to the Falling Leaves: walks whose memory still fills my soul with delight .[...]

Sometimes we walked in silence, paying the 'deaf ear to the roar of the fall or the sound of dried leaves that sadly we dragged our feet, sometimes, innocent in our games, we continue swallows in the meadow, the rainbow rainy skies over the hills ...

Chateaubriand, René , 1802.

During the wars of the Empire, while husbands and brothers were in Germany, anxious mothers had given birth to a generation eager, pale and nervous. Designed between battles, reared in the colleges to drum rolls, thousands of children were watching them from a dark eye, trying their puny muscles. From time to time their fathers bloody appeared, raised on their chests gaudy gold, then posed down and went back on horseback.

One man was alive when in Europe and the rest of the people tried to fill their lungs with air he breathed.

Musset The Confession of a Child of the Century , 1835.

Photo: Castle Combourg for all these young Breton who do not know Brittany, where lived Chateaubriand and his sister, Amelia (actually Lucile), to see a little better about this mythical site: http://maisonsecrivains.canalblog.com/archives/chateaubriand_francois_rene_de___chateau_de_combourg/index.html

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novel ... great art!

Subject
You may write in first person, the opening of one of the following two novels. You adopt the view of heroin. You will sure to fit in your narrative to this passage in which your heroine acts as narrator to judge, comment, or issue an opinion on the events she relates the landscapes they traverse or the characters she evokes.
You start as you see fit, beginning "in medias res "Dialogue scene, scene of encounter, solitary walk supporting the description or expression of feelings ...

Back Cover

On Manderley, the beautiful home of West of England, the Victorian finery, soar anguish, doubt: new wife of Maximilian de Winter, frail and innocent young woman, she will succeed to replace the former Mrs. de Winter, drowned some time ago? Daphne du Maurier plunges every page of his novel in an atmosphere unbearable suspense beautifully watermarked by a distilled, key by key, as if to keep each new scene its breathless pace, if not his inferno. A strange tale of a rivalry between a living - the new Mrs de Winter - and the ghost of a dead woman who haunts Maximilian, exerting an attraction on it very hard to explain. High art as writing of Daphne du Maurier, who signs a true masterpiece of literature of the twentieth century, half thriller, part psychological drama bourgeois family.

begins one of the best homework:

She pursued me. I'm running faster and faster, it overtook me. As if she was floating in the air. His cold hand rested on my shoulder, I could not move. The young woman grabbed my hair and threw me head in a basin of water. I had no time to catch a breath. That was nearly a minute that my head was held underwater. I I felt from my turn and float in the air.

I woke with a start, I was panting. As so often, Maximilian had to get up, his place was still warm in bed. After regaining my senses, I arranged my pillow and tried to get back to sleep.

Emilie Gayet. 4th 6

Induce the reader into error beginning with the story of a dream is a fairly common technique, the challenge is firstly to give credibility to the dream and secondly to establish a link between dream and the main narrative that the author of the copy succeeds perfectly.

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ENTER THE DANCE

I reunited with one of my passions: dance .. .. and she was dancing! That of love, relationship, passion just like what I am, like my life.


Tango dance of a people in exile, she became the dance of love and passion for excellence.


love the image of the tango is a pas de deux, or games and codes to intertwine his music sometimes sad, sometimes joyful and removed.
Tango awakens our fears relational and leads us into a dance or speech is subtle and delicate through simple body movement. The hand is the interpreter of the thought and body translates this message by drawing on the floor of the figures.


connection with others is essential, and the disconnection with these thoughts needed ...




Dance is a language in itself and us out of our Cartesian conception ... she taught me the art of living 2 .... and get closer a life where the game, listening, passion, take a different form than we know.


Love is also not two, into the game and .... passion.

Karine BARKI

© Karine Barki

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Parnassus (2)

B. The quest for formal perfection

Parnassiens The focus of the work form. They give honor to fixed forms, roundels and ballads (Banville), Sonnet (Heredia).

Reflection on the returns to the classic precepts: "The art worms in all countries, and all time, based on a single rule: Variety in Unity. - This one contains all the others. We need unity, ie the return of the same combinations, because without it, the verse is not a Being, and not interest us, we need the variety, because without it, verse and lulls us to sleep. (Banville, Petit Treaty of French poetry, 1872)

work is the subject of a cult, it allows you to find the perfect rhyme, rhythm appropriate, the right word ...

C. Space and time

If lyricism fades, is giving way to a descriptive poetry that explores the mysteries an indifferent nature and fatal. Seeking "variety in unity, poets readily turn to the exotic to discuss all facets of this nature that the poet gives up and explain that the show itself is worth meditating. The Barbarians Poems of Leconte de Lisle give rise to striking paintings that reveal the mysteries of nature is immutable and the vanity of human existence.

If the exotic is a major source of inspiration, the Parnassians readily explore the history and mythology. Banville refers to the ancient Greco-Roman, Heredia, brush in his Trophy, a series of pictures that evoke all of human history.

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Parnassus (1)

I. Definition

In Greek mythology, Parnassus is the residence of Apollo and the nine muses. In reference to this sacred place, a symbol of inspiration that a group of poets of the second half of the nineteenth century is named after "Parnassus." Those poets who reject the romanticism, want a modern design based on formal perfection and release of excessive lyrical.

II. The sources of movement

Two poets serve as a model for the younger generation Parnassian: Théodore de Banville who in The Caryatids (1842), moves the lyrical inspiration in the heart of ancient Greece and especially Theophile Gautier, with Enamels and Cameos (1852), illustrates a doctrine of "art for art's sake": "It n ' are really nice as what can only be used for anything and everything that is useful is ugly, because it is the expression of some need, and those of man are ignoble, as its poor and infirm nature. "

III. Aesthetics of Parnassus

Around Leconte de Lisle, who became a leader (he gets in his youth Parnassians Fair Boulevard des Invalides) is slowly emerging doctrine Parnassian.

A. Lyricism tempered

With "Showmen" condemns the lyrical master by assimilating a fair show for the vulgar. :

Like a dull animal, bruised, dusty,
chain around his neck, screaming warm summer sun, Walk through
who wants her heart bleeding on your stone
cynical, carnivorous rabble O!

To put a fire in your eye sterile dazed
beg for your pity or your laughter rude
Who wants to tear the dress light
From divine modesty and lust. In my pride

mute inglorious in my grave,
Even if I swallow me forever black,
I do not sell you my pain and my drunkenness,

I do not indulge my life your boos,
I will not dance on your ordinary trestle
histrions With your and your prostitutes.

Leconte de Lisle, "The Showmen" , barbarians Poems, 1862.

If not reject absolutely the lyricism, he advocated an aesthetic of modesty and defends a conception aristocratic poetry based on the refusal of the ease and excitement of beauty.

ill. Portrait of Leconte de Lisle by Jacques Leonard Blanquer

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a little game to couple .. .

Before letting fly at full speed this year, I propose to make a little game with your beloved ... OR with the person you learn recently.

Consider each of your side:
- 20 things I love about you my love
- 10 things that make me smile
- 5 things that seem extraordinary to you
- 1 thing that makes you unique
- 10 things that make me feel lucky
your side - 3 things I want to improve our couple
- a wish for this year for you, for me, for us
- a song that I sing this year.


Love grows with increasing admiration and updated each other. Yet we know that lack of time, our words of admiration or praise, fade with time. Do not spend

next to those sweet words of love to enhance, and always quarrel with each other how great it is to nourish the seed of love, raise a loved one, discover a wonderful Life 2.
Today lyrics are gold ... enjoy.


Very good year for love and good game
You tell me the news

Karine

© Karine Barki

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ON YOU WOULD LIKE THE HAPPINESS OF THE WORLD

"> © Karine Barki

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King Lear online

To download King Lear in the translation of Victor Hugo:

http://www.inlibroveritas.net/lire/ oeuvre5120.html

Lear or the absolute tragedy:

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"must bear the brunt of these times of sorrow, say what we feel, and not everything that has to say. The oldest is the one who suffered most. We who are young, or we will never see so much evil, nor so many days. "

( They go out to the sound of funeral music .)

Ill. Cordelia and King Lear in a staged theater in Portland.

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Fantasy

It is a tune for which I give,
all Rossini, Mozart and all while Weber.
A look very old, languid and mournful
which for me only has secret charms!

Now, whenever I come to hear from two hundred
years rejuvenates my soul ... It was under Louis
thirteen, and I think I see a green hill
extend, the yellow layer;

Then a house of brick with stone corners,
For windows tinted reddish color
Surrounded by great parks with a river
Bathed his feet, which flows between the flowers;

Then a lady in her high window,
Blonde with black eyes, his clothes old
That in another existence perhaps I
already seen ... and I remember!

Gerard de Nerval, Rhythms and lyrical little ode , 1852.

Ill. William Morris Yseult (also sometimes called Table Queen Guinevere )

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The prose poem (4), the poetic function of language

III. Poetic language?

As versified poem, the prose poem develops what Jakobson calls the poetic function of language. The language is involved: the figure of speech away from the ordinary language. The metaphor transforms the world: "For sides of rocks, which dip in the night precipices their hair brush ..." (Aloysius Bertrand, "The Time of Sabbath" Gaspard de la nuit. ) The nature and
animated, becomes part of a disturbing ideally meeting sabbatical. And the multiplication of images gives the text its poetic density.
The playfulness can also assert itself in repetitions:
Enough seen. The vision has met all the air.
Had enough. Rumors of cities in the evening and the sun, and always.
Known enough. The judgments of life. - O Sounds and Visions!
Departure in affection and new noise! (Rimbaud, "Departure," Illuminations .)
The repetition of the word "Enough" which is contiguous a transitive verb to its complement private creates an expectation which is partially filled by the sentences that follow, variations on the theme.
The poem can also play contrasts On a road behind the gate of a large garden, which appeared after the whiteness of a beautiful castle struck by the sun, stood a beautiful child and fresh, dressed in those clothing campaign so full of vanity.
[...] On the other side of the gate on the road between the thistles and nettles, there was another child, dirty, sickly, smoky, one of those rogue-brats with an impartial eye discovers beauty, if, like the eye of the connoisseur guess a painting beneath a veneer of ideal body builder, he was cleaning the patina of disgusting misery. ( Baudelaire, "The poor man's plaything," The Spleen de Paris .)

The poem is built on the antithesis of poverty / wealth that the poet uses a systematic manner to arrive at the strange idea of a poverty that is desired.

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The prose poem (3) poem "open"


The following poem, taken from songs the Balandran (1977) by Rene Char, illustrates the other trend:
The soil is not only collects to split operations in the rain and wind. Which is precipitated near-silent, stands near the earthquake, with our pre-dry words mean, penetrating as the trident of the night in the iris of the eye.

If the unity of the text is based on an analog process that puts in parallel the natural manifestations and shock of poetic creation. The poem can be read as an opening. In the style of haiku, it opens a gap in the real and raises the question.

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The prose poem (2) a hyper-structured

It was night. First it was - and I saw, so I said, - to an abbey walls cracked by the moon - a forest pierced by winding paths - and the Morimont (*) teeming with capes and hats.

It was then - and I heard, so I said - the knell of a bell which was answered by sobs funeral of a cell, - the cries and laughter shivered ferocious each flower along an arcade - and the prayers of buzzing black penitents that accompany a criminal to execution.

It was finally - and ended the dream, so I said, - A monk who expired lying in the ashes of the dying - a girl who struggled hanging from the branches of an oak - and I tied the hangman disheveled on the spokes of the wheel.

Dom Augustine, the prior deceased, will, dressed as Franciscan, the honors of the chapel, and Margaret, that her lover was killed will be buried in his white robe of innocence, between four wax candles.

But I had the helm of the executioner, at first, like a broken glass, torches were extinguished black penitents under torrents of rain, the crowd had passed with streams overflowing and fast - and I pursued other dreams to waking.

Aloysius Bertrand, "A Dream" Gaspard de la nuit .

Bertrand's poem is divided into stanzas, which are all units of meaning. The first three stanzas have the same theme: the sets are discussed through a special meaning in verses 1 and 2 (vision and hearing). The third stanza focuses on the theme of agony, three deaths occur simultaneously in the scene sketched above.
The verse follows another structuring principle: anaphora: "it was", "so I ... I ... well."
Stanzas 3 and 4, meanwhile, resumed by untying the themes outlined at the beginning of the poem. They are distinguished by the change in the utterance (passage of time from past to future) that guide the story towards its climax.

The organization of the poem relies on an opposition between simultaneity (verses 1 to 3) and chronology (stanzas 4 and 5) but also between indeterminacy and uniqueness: for this movement, the text allows progressive identification of the characters in the scene and their future.

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The poem prose poem (1)

I. Definition
Until the nineteenth century the idea that a poem could be written in prose would have seemed an absurdity, as the very idea of poetry was linked to the factory of worms. Though it is the prose poem exists and the question of poetry and its specificity. Some criteria are needed immediately to define the prose poem is presented as a short text and self, by its polysemy or intense recreational use and aesthetic it makes language.

II. Brevity, self
The first collections of poems in prose in fact represent a succession of short texts closed on themselves. The prose of Gaspard de la nuit by Aloysius Bertrand (1852) are easily recognized in that they fit on one page and is structured into short paragraphs that suggest as many units.

The Spleen de Paris Baudelaire (poems written between 1855 and 1864) already poses more problems, some texts reach the dimensions of a new approach and it also by their subject (" The generous player, "for example). In the letter to Arsene Houssaye where Baudelaire defines what he wanted to do, he writes: "Chop it into many pieces and you will see that each can exist separately." Evidence that the law is autonomous. Suzanne Bernard
distinguish two major trends in the development of the prose poem. Let the poem is structured hyper, hyper worked, or it is composed in a somewhat unpredictable freely.

It quickly compare two texts, revealing two modes of existence:

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The monkey, Monkey Nuts and Florian

A young monkey picked
a nut in its green hull;
She wears the tooth, makes a face ... "Ah

[Surely

Tell her, my mother lied
When she assured me that the nuts were

[good.

Then think of those old speeches

[

people who cheat the Youth: The devil is the

[fruit! "

She throws the nuts. A monkey picks it up, between two stones
Quick breakage,
The peels, eats it, and said
"Your mother was right, my dear:
Nuts have very good taste, but they must be open.
Remember that in life,
Without a bit of work there was no pleasure. "

Florian Fables, 1792.

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Hammett or when the detective novel becomes literary ...

Dashiell Hammett died fifty years ago, January 10, 1961, he was sixty-five. It was a great writer is he who is behind this character is found today in all sorts of movies and police series: the private detective "hard boiled" (tough).

He has written five novels, four of which are considered true masterpieces: Red Harvest (1929), Cursed Blood (1929, Maltese Falcon (1930) and The Glass Key (1931). Influenced by movies, writers this time, seek a writing objective reports that behavior (without interest or feelings or states of mind), sometimes referred to this literary trend, the current " behaviorist.

Hammett has profoundly changed the detective novel by elevating the status of literary work: its main character is usually a private detective who plies his trade without emotional. The novelist is the action of his plots in an urban, corrupt and violent. The story there is finally a secondary importance and it is this atmosphere of violence and corruption that usually keeps his work. Hammett probably drew inspiration from his own experience as he was himself a private detective agency for the famous Pinkerton of Philadelphia for nearly six years .

inspiration? Personal crisis? Our author publishes a new novel in 1934 (The Thin , originally a series of successful films in the thirties) and stop writing. His political views (he was a communist) earned him to be worried (and even imprisoned) during the sad period of the "witch hunt" McCarthyste .

Red Harvest and The Glass Key are two novels that work a bit on the same theme: opposition to gangs and liquidations in a corrupt town. The second is a feat because wholly written in external focus it also reflects the interest of Hammett for this science, then new, psychoanalysis.

Blood Curse is a modern Gothic novel plunges the reader into the murky world of cults.

As for Maltese Falcon , it is a treasure hunt, it reuses Hammett (he wrote for the amount of new " pulps" - magazines good markets) the character Sat of Spade, private inflexible, played on screen by Humphrey Boggart.

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Enid BD

If

you liked the book you'll like the comic. The universe sisters Verdelaine , five orphan who, under the leadership of their eldest Charlie, face the vagaries of existence is perfectly rendered here. Everything is there: the enchanted world of Vil'Hervé , this villa lost in the depths of the "impasse Atlantic " inhabited our five heroines since the death of their parents, the ghosts of casual Parents said that arise unexpectedly to give advice, or comfort their children left to itself, the underground, from the old well lead Enid the graves of those Tristan and Isolde modern husbands are Auberjaunois .

Cati Baur kept when she was able dialogues Malika Ferdjoukh ; inserting narrative passages in his comics, it's apparent that what the new genre graphic novel the Posy Simmonds . She is fluent in framing and camera angles, its design supports thus efficient storytelling. And as she realizes she's the same color - the case is not so common in comics - the album is particularly neat. Coverage makes Breton particularly our skies and night scenes, quite a few - Enid is a little heir to the Famous Five, the group of children from underground wells has enchanted generation of your parents - are particularly successful. It therefore looks forward to continued and encouraged Cati Baur . Link to his blog:

http://pouet.is.free.fr/autoutpetithasarddesmots.html