The following poem, taken from songs the Balandran (1977) by Rene Char, illustrates the other trend:
The soil is not only collects to split operations in the rain and wind. Which is precipitated near-silent, stands near the earthquake, with our pre-dry words mean, penetrating as the trident of the night in the iris of the eye.
If the unity of the text is based on an analog process that puts in parallel the natural manifestations and shock of poetic creation. The poem can be read as an opening. In the style of haiku, it opens a gap in the real and raises the question.
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