1 / Romanticism
The Romantic poets gather around Victor Hugo who is the leader of the movement.
They are thrilled by the lyrical poetry of Lamartine they are modeled. They consist of melancholy poems that exploit the theme of evil dusiècle They introduce new themes: the exoticism and dreams.
Romantics offer little innovation in form, Victor Hugo asserts the triètre, an Alexandrian three accents.
Lamartine | Meditations poetic | 1820 |
Vigny | Poems Ancient and Modern | 1826 |
Hugo | The Oriental | 1829 |
Nerval | little ode | 1834 |
Musset | New Poems | 1850 |
2 / Parnassus
The Parnassiens reject the excesses of lyricism and poetry advocate impersonal. They look perfect forms, evoke distant landscapes or historical scenes.
Gautier | Enamels and cams. | 1852 |
Leconte de Lisle | | 1852 |
Heredia | Trophies | 1893 |
3 / Symbolism
The Symbolists, inspired by Baudelaire seeking correspondence between the earthly world and the spiritual world . They refuse the realism and the taste of Parnassians for formal poetry.
The landscape expresses their moods and the Symbolists emphasize musicality.
The symbolist poet Mallarme is ( Poems, 1899), Rimbaud, Verlaine and Tristan Corbiere approach the movement without joining.
Verlaine | Saturnian Poems | 1866 |
Rimbaud | A Season in Hell | 1873 1884 |
Corbiere | Loves Yellow | 1873 |
The Symbolists (Verhaeren in particular) use free verse.
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